How do you take a 70-metre medieval masterpiece and put it on a 780-square-metre screen?

Here’s a behind-the-scenes look at bringing the Bayeux Tapestry to one of the most famous screens in London.

To kick-start the British Museum's Bayeux Tapestry Exhibition campaign, I was tasked with
creating a visual for the Piccadilly Billboard to announce the date tickets go on sale.

My aim was to highlight the skill of the original embroidery while revealing its depth through
motion. By isolating characters, horses, buildings, boats, and weapons, and rebuilding them
into layered compositions, I was able to create the illusion of three-dimensional space, allowing the story to unfold in a new way.

You can read more about the campaign in the links below.

Project: WILD

As lead animator for the web series Project: WILD Britain, I create short, engaging educational animations that help schoolchildren understand biological processes such as coevolution, mimicry and bioaccumulation.

I combined animation, live-action footage and parallax techniques to create the title sequence for the Project: WILD Britain web series.

Client work

An animation I produced for Multiply, an initiative helping adults build their maths skills to improve their career prospects, return to work or feel more confident in everyday life.

Two more animations I've produced: the first for Project: WILD, supporting an environmental learning programme, and the second for Yorkshire Energy Doctor, an independent organisation helping people manage their energy bills.

Contact

Get in touch

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e.wheatlandclinch@gmail.com

(+44) 07826 793959

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